In this famous work by a pioneer in the movement to free art from the bonds of tradition -- a work long considered essential to understanding the evolution of 20th-century art -- Kandinsky explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

In this famous work by a pioneer in the movement to free art from the bonds of tradition -- a work long considered essential to understanding the evolution of 20th-century art -- Kandinsky explores the role of the line, point, and other key elements of non-objective painting. 127 illustrations.

The study of the zeroes of polynomials, which for one variable is essentially algebraic, becomes a geometric theory for several variables. In this book, Fischer looks at the classic entry point to the subject: plane algebraic curves. Here one quickly sees the mix of algebra and geometry, as well as analysis and topology, that is typical of complex algebraic geometry, but withou...(展开全部)

The study of the zeroes of polynomials, which for one variable is essentially algebraic, becomes a geometric theory for several variables. In this book, Fischer looks at the classic entry point to the subject: plane algebraic curves. Here one quickly sees the mix of algebra and geometry, as well as analysis and topology, that is typical of complex algebraic geometry, but withou...(展开全部)

表面上，这是一本阐述隈研吾建筑理论的文集，但同时也是反体积、反巨型结构，在某种意义上是反资本主义的，对当今建筑界现状的左翼批评。 《点线面》是建筑理论，但以叙事的形式写成，充满了有趣的小插曲，例如，在古罗马，由于玻璃非常昂贵，窗户上装有大理石片。它的写作形式非常日本化：一系列围绕一个主题的短文，针对的是文化水平较高的读者。 四部分共七十二篇相关文章阐述了隈研吾对体积和质量建筑的拒绝，这种建筑将二十世纪归类为一种更临时的建筑，这种建筑可以轻松拆卸，并且通过借鉴过去久经考验的做法，可以更轻松地接触地球。 Ostensibly a collection of writing that sets out Kengo Kuma's theories of architecture, but also an antivolume, antimegastructu...(展开全部)

In I’m Off , Ferrer leaves his wife and embarks on a journey to the extremes before returning to Paris. In One Year , Victoire packs her bags and leaves her dead boyfriend’s corpse. One year later, the coast is clear for her return.

In I’m Off , Ferrer leaves his wife and embarks on a journey to the extremes before returning to Paris. In One Year , Victoire packs her bags and leaves her dead boyfriend’s corpse. One year later, the coast is clear for her return.

“Long before I met him, I was a fan of his writing, and his merciless wit. He’s bigger than food.”—Anthony Bourdain NATIONAL BESTSELLER Eddie Huang is the thirty-year-old proprietor of Baohaus—the hot East Village hangout where foodies, stoners, and students come to stuff their faces with delicious Taiwanese street food late into the night—and one of the food world’s brigh...(展开全部)

“Long before I met him, I was a fan of his writing, and his merciless wit. He’s bigger than food.”—Anthony Bourdain NATIONAL BESTSELLER Eddie Huang is the thirty-year-old proprietor of Baohaus—the hot East Village hangout where foodies, stoners, and students come to stuff their faces with delicious Taiwanese street food late into the night—and one of the food world’s brigh...(展开全部)